ArmaDillo - 600W Sure Class D power amp

Complete apart from decal - all18kg of it. Two 600W 12A transformers, two 47,000uf Mundorf MLytic high current caps in a sturdy 3U enclosure. The Sure Class D module is rated 1500W but here should deliver 600Wpc. Heavy duty speaker posts and RCAs and all 10A wiring and 20A switch. Differential voltage is +/-68V. Excellent bass depth and very clear mid-range. 

“Mimic - Classic and Pro”

 

I required for my own use another MM RIAA phono preamp. I had these two compact enclosures on hand and most of the parts. I only had to purchase a subminiature power switch, cheap RCAs and two metal 9V battery holders. All the passives and chips (OPA2134) I had on hand. "Pro" uses 1/4W carbon film Rs and "Classic" all 1/2W metal film. There is a mix of better and standard caps in "Pro" and just polyester caps in "Classic". 

Both run on a couple of 9V batteries which use a resistive network and a couple of low ESR caps to provide +/-9V and a virtual earth. the entire cct. including the PS section is built on a tiny bit of strip board smaller than a matchbox. Inexpensive gold RCAs were purchased as I wanted to keep cost down. Having so many parts on hand made these builds easy and cheap. Hookup wire is silver plated fine copper wire. 

How do they sound. Good in a word. Bass is solid and the overall sound clear to transparent. No hum or buzz due to battery operation which should give me about 50 hours of play on fresh batteries. There is a battery test point at the front and battery replacement takes only a few minutes. The chip can be changed to any equivalent.  

“MC - Loader”

 

I had a request to build a loading box for MC cartridges. Happy to have this cast Al enclosure on hand and it worked out to be a perfect fit. Not much inside other than six resistors and some fine copper silver plated wire. Solder was WBT silver solder and heavy duty gold RCAs on back. 

The switch is center off and in this position, loading is 330 ohms. Switch to the left, according to the name plate on top, provides 100 ohms and to the right 50 ohms. All Rs were metal film and the Al box is double bitumanised heavy Al foil lined adding weight and resonance control.

“Retro-EAR834p” - an EAR834p tube MM phono stage

This is the third of these MM phono stages I have built and all for commission jobs. As an addition here a MC step-up stage was also built. The MC stage is the La Pacific single FET, battery driven stage and is seperate from the MM stage. The PS is external and uses a Hammond tranni. The EAR kits come with a PS board with HT and filament DC rectification and filtering. The HT is smoothed by a high voltage power FET. Works well. 

Looks smart on the stippled Hammond wood cheek chassis. With Tung-Sol and LinLai tubes sounds detailed and transparent and the new owner reports excellent bass. We are both happy with the result.

“ZeroOne-A” - 100 year old globe DHT tubes preamp.

 

Inspired by my 71a tube amp I thought I would try another DHT preamp but with a 01a tube. Again Cunningham tubes used as with the 71a but with the 71a I also have RCA tubes. These globes are from the mid 1920s. Where the 71a preamp - “MWH” - has mainly carbon film resistors in the signal path and a Russian PIO output cap this build has all metal film resistors and a Mundorf EVO oil output cap. 

To enhance the performance of both preamps I built a new much beefier external PS on a repurposed cast AL chassis which already had a RFI/EMI power filter added. The 5V DC on the heaters is regulated and balanced. The 01a preamp has a remote Alps volume control and two inputs. Hookup wiring is via fine silver plated copper wire and high quality heavy duty RCAs ate  used. Not a lot of gain but a very revealing, detailed sound with extended reverb. Love the colour - Iron Stone.